A focus of his interest is the practice of archiving and giving voice to endangered sonic sources and narratives through field recording, sound archiving, recordings and sound walks. In this framework, sound—particularly the soundscape—becomes a living testimony of history and place, an integral part of cultural identity and tradition, shaping and reflecting both space and human relationships.
Another area of his interest involves his exploration of the analog domain and obsolete media. This leads him to experiment with outdated devices and to push the physical and acoustic boundaries of sound manipulation. Through this process, he seeks to develop a distinctive and personal sonic language that emerges from the materiality of sound itself.