With a background in jazz guitar, refined through years of performing and teaching, he has embarked on a personal journey of sonic and artistic exploration.
At the core of his work lies a deep curiosity about the multifaceted potential of sound—its applications, expressive forms, and the ways media shape the creative process. His research delves into topics such as using scientific data as a source of inspiration, repurposing obsolete media, and forging connections between sound and disciplines like politics, history, cultural heritage, and journalism.
Since 2024, he has been pursuing a master’s degree in Sound Studies and Sonic Arts at the Universität der Künste in Berlin.
"Enshrined, in memoriam", by Franco Lapache, Nino Davdaze and Lilium Redwine
- Sound Installation, UdK Berlin, November 2024
“Enshrined, in Memoriam” is a sound installation designed for public spaces, confronting the layered meanings of memorials in contemporary society. Featuring a glass box framed in metal and equipped with dual transducer microphones placed at the top and bottom, the installation evokes a striking sense of delusional transparency.
Through its materials and form, the installation critiques the aesthetics of corporate environments and the "cheap architecture" tied to capitalism. It draws attention to spaces drained of romanticism, spiritualism, and so-called "unpractical" sentiments, reimagining memorials as a site for reflection amidst the burden of office workloads and the sterile emptiness of modern structures.